A few years ago my cousin Irina Fruc (geb. Zabalasque) was given a unique photographic opportunity: the Lomographic Society International asked her to test a new development for the world famous Lomo Compact Automatic (LC-A) camera: a surreal filter which had been developed by the belgian painter Paul Delvaux. She immediately accepted the assignment, which involved taking a series of photographs in Moscow.Irina's links with LOMO go back a long way. Her great-grandfather Alfred Balthazar Nierdermann visited the once and future Saint Petersburg in 1876, and was the subject of a young photographer called Radionov ( see the last entry in http://abnsp.blogspot.com ). This Radionov was the grandfather of the notorious Professor Radionov who developed the LC-A's wide-angle lens.
Here is a diagram of the Delvaux filter as it fits in the LC-A:
For Irina's use, a very special LC-A was made to withstand the hardships of muscovite weather, with a warm white fur external protection layer and a number of other less visible but nevertheless necessary refinements :
The small lever on the right of the lens (left on the photograph) remains the exposure control. The lever on the left of the lens (right on the photograph) is the "surreal" control with three positions: the upper is "out" , no surreal effect. The middle is "foreground" i.e. the picture taken fills the area and the surreal effect is incorporated to it. The lower position is "background" i.e. the main picture is surreal and the object photographed is incorporated into it.
